https://www.pianoandtheory.co.nz/abrsm/2020/9/18/menuet-in-g-minor-bwv-anh-115-petzold
https://en.wikipedia.org/wiki/Minuets_in_G_major_and_G_minor
https://pianomarvel.com/sheet-music/8014/minuet-in-g-minor (Level 6)
Level 6 with ornamentation A section: https://pianomarvel.com/sheet-music/6757/minuet-in-g-minor-a-section-with-repeat
B section: https://pianomarvel.com/sheet-music/6760/minuet-in-g-minor-b-section-with-repeat
Sheet music: https://pianomarvel.com/sheet-music/18/minuet-in-g-minor
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| Away with the raggle taggle gypsies by John M. (CC BY-SA 2.0) via Wikimedia Commons. https://commons.wikimedia.org/wiki/File:Away_with_the_raggle_taggle_gypsies_-_geograph.org.uk_-_440482.jpg |
" 'Gypsy Davy' and 'Gypsy Davey' redirect here. For the sculptor and songwriter, see Gyp Mills. For the 2011 documentary film, see Gypsy Davy (film).
'The Raggle Taggle Gypsy' (Roud 1, Child 200), is a traditional folk song that originated as a Scottish border ballad, and has been popular throughout Britain, Ireland and North America. It concerns a rich lady who runs off to join the gypsies (or one gypsy). Common alternative names are 'Gypsy Davy', 'The Raggle Taggle Gypsies O', 'The Gypsy Laddie(s)', 'Black Jack David' (or 'Davy'), ['Molly Dance'], and 'Seven Yellow Gypsies'.
In the folk tradition the song was extremely popular, spread all over the English-speaking world by broadsheets and oral tradition" (Wikipedia).
The following rhythm pattern are used in this song variations:
Listen and watch the performance of Rapalje, which is a very traditional performance in the style of Irish fiddlers.
Emilie Julie Candeille was prolific from an early age as composer and performer, actress and author. She appeared before the King aged thirteen, at fourteen was engaged to sing at the Opera, and a year later took the title role in Gluck's Iphigenie en Aulide. Next she became an actress and made her debut at the Comedie Francaise in 1785, and after five years there, joined the Theatre Francaise. She created a sensation there in 1792 as star performer, playright and composer in 154 performances of her operetta Catherine, ou la belle fermiere. She made two unsuccessful marriages, and took to leaving France when life became difficult. As well as her theatre music, she composed several concertos, including two for several instruments, and various piano works. Many of her writings were published.
1. Allegro spirito, D major. 2. Romanza, B flat. 3. Adagio molto maestoso, D major. 4. Thema Allego, F major. Andantino con motto, D major. 3 Variations. Thema. 15 mins
An attractive, short Trio, with fine filigree elaborations in the variations.
1. Allegro Maestuoso, D major. 2. Andante gratioso con espressione, G minor. 3. Rondo: Allegro spirituoso, D major
2 ob, 2 hn, string, solo piano. 18 mins
This is her only surviving concerto, and it was published in her lifetime with the quaint spelling of the movement titles listed above. It dates from the year of Haydn's 'Paris' symphonies, and the slow movement certainly suggests she knew her Haydn. It alternates, then varies sections in the minor and major. The outer movements are quite economical with orchestral ideas, though more expansive when the solo has the field to itself. The rondo theme has a happy way of returning in the 'wrong' key, but all is neatly balanced by the end. The whole has a brilliant D major feel, as characteristic in the classical era.
Troi Sonatas pour le Fortepiano avec accompagnement de Violon, Op 1
No 3: Allegro un poco presto, E flat. Andante agitato, C minor. Rondo: Allegretto, E flat
It would be possible to play this work as a piano sonata, though more interesting as a duo. The Andante alternates minor and major episodes (similar to the concerto slow movement). The Finale is a very perky Rondo.
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| Wikimedia Commons Thumb nail. Unknown. |
Josepha Barbara AURNHAMMER (1758-1820) "was an Austrian pianist and composer. She was born in Vienna as the eleventh child of Johann Michael Auernhammer and Elisabeth Timmer. Josepha Barbara Auernhammer studied with Georg Friedrich Richter, Leopold Anton Kozeluch and from 1781 Mozart, with whom she fell in love. On 27 June 1781, Mozart wrote of her: "Almost every day after dinner I am at H: v: Auernhammer's - The Miss is a monster! - plays delightfully though, however, she lacks the genuine fine and lilting quality of cantabile; she plucks too much." That year, Mozart dedicated his Violin Sonatas K. 296 and K. 376–80 to her" (Wikipedia).
Read more about Auernhammer here (in German).
There is a piece with similar title by Vicente Martín y Soler (1754-1806) in his opera Una Cosa Rara - Act Ii - Sc. XV - Duetto "Pace, Caro Mio Sposo". But there is no obvious relation.
You can find the original sheet music at the IMSLP Petrucci Music Library.
It was transcribed to modern notation by Dan Wanamaker (CC BY 4.0) and digitalized for Musescore and Piano Marvel by Tabea Hirzel.
Find the piece"Pace caro mio sposo" Variation 1 at:
and at
If you like her music, check out my dedicated list of piano performances on Aurnhammer's compositions.
Musescore is a powerful tool to create sheet music and it has a high compatibility with Piano Marvel.
Sometimes, however, you can run into issues. In the following, I present you some tips and tricks how to make your music work in Piano Marvel using Musescore.
8va alta and 8va basse can some times cause issues. Just check that everything is kept quite clean and it should work.
Some times, they cause issues, but I have not fully understood the reason for when and why.
15ma alta and 15ma bassa, as well as 22ma alta and 22ma bassa are not reliable and use to cause serious issues. Try to avoid them.
Dynamis are not causing problems as long as you keep them simple.
Do not change the for each note, (some pieces are crazy in this respect).
Did you know that a "scandalized member of the audience originally called Schoenberg's compositions - pure katzenmusik (caterwauling)" and that people considered the young Prokofiev a "crazy man" and the effect of his music as "futuristic katzenjammer".
Katzenmusik is also the title of two compositions by third studio album by the German solo artist Michael Rother which he included in his album 1979 studio album of the same title (Wikipedia, and more).
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